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Cultural Diplomacy
15/09/10 - 10/10/10

Don't worry, be happy
18/08/10 - 12/09/10

Anarchy in Avondale
21/07/10 - 14/08/10

Beneath the Blue
23/06/10 - 18/07/10

Duck!
25/05/10 - 19/06/10

The House of Lentigo
28/04/10 - 22/05/10

Stupid Studid Stupid Stupid Stupid Daddy
31/03/10 - 24/04/10

Joyful, Sorrowful, Glorious
03/03/10 - 27/03/10

Dark Matter Blue Noise
03/02/10 - 27/02/10

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Hear my train a' comin'

Brit Bunkley

Tuesday 11 September - 29 September

Originally motivated by the need to accurately visualize potential public art commissions in the early 90’s, Brit Bunkley now utilises digital media in many forms ranging from video installation to photographic prints.

Hear my train a' comin' includes digital 3D prints - computer generated sculptures, fabricated from 3D Studio Max files - duplicates of the same files as rendered in videos and two dimensional photographic prints.

A photorealistic dairy cow stands inconspicuously in a paddock while a train travels under its skin. A 3-D “LOM” (layer object manufactured) model made from laser cut paper of the same virtual cow stands nearby on a plinth. In an update of Kosuth’s play on the ontological properties of an object (manifest in his work One and Three Chairs), a video with the same cow moves in real time. The cow is the print is the sculpture is the video is the cow etc.

The exhibition also includes several 2-D prints that resemble carefully rendered ink drawings or etchings. The images are of animals (domestic, predators and pests) created as virtual “wire frame” objects. Some have strange “growths” and tattoo inspired incisions; others have oblique words borrowed from rock lyrics digitally “cut” into their bodies.

Bunkley's work replicate dreamscapes featuring architecture and animals as tropes of angst, denial and hope. The content is often darkly whimsical and satirical, as well as obliquely social-political, psychological and environmental.


Installation

Flower boxer 2006

Taranaki cow 2006

Shine 2007